Richard Mosse
Incoming SIGNED

The major humanitarian and political issue of our time is migration and with his latest video work, Irish artist Richard Mosse has created a searing, haunting and unique artwork. Projected across three 8 meter wide screens, the film is accompanied by a loud dissonant soundtrack to create an overwhelming, immersive experience. Moving from footage of a live battle inside Syria, in which a US aircraft strafes Daesh positions on the ground, to a scene showing pathologists extracting DNA from the bones of unidentified corpses of refugees drowned off the Aegean island of Leros, the film opens a testimonial space of historical document – bearing witness to significant chapters in recent events – mediated through an advanced weapons-grade camera technology. Narratives of the journeys made by refugees and migrants across the Middle East, North Africa, and Europe, are captured using an extremely powerful thermal camera not generally available to the public. This super-telephoto military camera can perceive the human body beyond 50km day or night, reading the biological trace of human life. The camera translates the world into a heat signature of apparent temperature difference, producing a dazzling monochrome halo-image which alludes literally and metaphorically to hypothermia, climate change, weapons targeting, border surveillance, xenophobia, and the ‘bare life’ of stateless people.

The book version recreates the immersive nature of the film, combining still images from the entire sequence over nearly 600 pages to represent the harsh and compelling narrative in a full bleed layout.

Incoming was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost and was co-commissioned by Barbican Gallery and National Gallery of Victoria, Melbourne. The book is published alongside an installation of Mosse’s 3-screen video work in the Curve Gallery of the Barbican Art Gallery.

Richard Mosse was born in 1980 in Ireland. He earned an MFA in Photography from Yale University, a PG Dip in Fine Art from Goldsmiths, London, an MRes in Cultural Studies from the London Consortium, and a first class BA in English Literature from King’s College London. Mosse represented Ireland at the 55th Venice Biennale with The Enclave, for which he was awarded the Deutsche Borse Photography Prize (2014). He is also a recipient of a Guggenheim Fellowship, a Leonore Annenberg Fellowship, the B3 Award from the Frankfurt Biennale, Yale’s Poynter Fellowship in Journalism, an ECAS Commission, a Pulitzer Center on Crisis Reporting publication grant, the Perspective Award, a Visual Arts Bursary from the Irish Arts Council, a Culture Ireland facilitation grant, the Künstlerhaus Bethanien Residency, and a residency at the International Artists Workshop in Ramallah. A body of works related to the video piece and titled Heat Maps has been shortlisted for the 2017 Prix Pictet. Mosse has exhibited widely. The list of museums that have shown his work include Louisiana Museum of Contemporary Art, the Nasher Museum, MIT, MCA, MoCP, Montreal Museum of Fine arts, Irish Museum of Modern Art, Portland Art Museum, Kunsthalle Munich, Nelson Atkins Museum of Art, Palazzo Strozzi, Reykjavik Art Museum, Bass Museum, the Kemper, FOAM, the Photographers Gallery, Akademie der Künst Berlin, National Gallery of Victoria, and the University of New South Wales. He lives in New York City.

 

In the press

SUITCASE Magazine
Internazionale
Photograph
Self Publish Be Happy
Irish Arts Review
Aesthetica
032c
The Gryphon
MW Magazine
MW Magazine
British Journal of Photography
Style Corriere della Serra
Style Magazine
El Pais
Monocle
VICE
American Suburb X
Monthly Photography (Korea)
Urban Spree (Berlin)
VICE
VICE Japan
Morgenbladet
Peachy
Pelagica
Il Fotografo
Il Giornale dellArte
BBC Arts
PDN Pulse
Photoworks
Financial Times
Creative Review
Frieze
Pelantaucher
Liberation (France)
PhotoN
Polka Magazine
Time Out
Art Intern
American Photo Magazine
Arteidolia

Signed by the artist on the title page

OTA-bound paperback with metallic silkscreen cover image and black painted edges.

Metallic tritone printing throughout.

Texts by Giorgio Agamben and Richard Mosse.

576 pages
280 tritone plates
17.5 cm x 19.7 cm

Publication date: February 2017

€40.00 £35.00 $45.00

ISBN 978-1-910164-77-8-S


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