Bertien van Manen
Moonshine

Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.

Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.

Bertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography.

Also available by Bertien Van Manen

Easter and Oak Trees

Let's Sit Down Before We Go

 

In the press

Spectrum Culture
Photonews
GUP
Fotopolis
Moors Magazine
Art Practical
Nate May Music
De Volkskrant
De Correspondent
NRC Handelsblad
Walk Your Camera
Time Lightbox
Financial Times

Signed copies here

112 pages
78 colour plates
23.5 cm x 22.5 cm
Hardcover with silkscreen

Publication date: April 2014

€40.00 £35.00 $55.00

ISBN 9781907946622


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